todd maes
Was so looking forward to getting this splatter version
Such a disappointment. Mostly black vinyl with a few sparse streaks of green
Looks nothing like the picture
rhynerd
A lot of this is rather different from the Midlake I grew up on, but it turns out these boys can do psych rock rather well. That, and some of their old charm still shines through in songs such as "Aurora Gone."
Favorite track: The Old And The Young.
dr_keys
Great album! I can say I have listened to this LP about 100 times if not more. This is probably the third time I have purchased this album because I keep losing the mp3s, but now no longer, thanks to Bandcamp!
Anyone who knows Midlake’s preceding albums will recognise some constituent parts of Antiphon: the quirky psychedelia of their 2004 debut, the ‘70s soft-rock strains of breakthrough album The Trials Of Van Occupanther and the Brit-folk infusion of 2010’s The Courage Of Others. But their fourth album is another fascinating departure, but also a logical progression. The sound is simultaneously familiar and changed.
“It’s always through the scope of Midlake,” says vocalist/guitarist Eric Pulido, “but on Antiphon we wanted to embrace the psychedelia, style and nuance you might hear in bands from yesteryear while also being aware of musical influences leading up to and present now. The result was less folk and more rock. Less nostalgic and more progressive. Now the sky’s the limit.”
This growth is down to the ambition and ability of Pulido (vocals, guitars, keyboards) Paul Alexander (bass, keyboards, bassoon, guitars, backing vocals), McKenzie Smith (drums, percussion) and Eric Nichelson (guitars, autoharp), plus Jesse Chandler (keyboards, piano, flute, backing vocals) and Joey McClellan (guitars, backing vocals) from Midlake’s last live incarnation. But it’s also down to the absence of Midlake’s former principal singer-songwriter Tim Smith, who left the band in November 2012.
As Pulido explains, Midlake had finished touring in support of The Courage Of Others in November 2010. “We immediately returned to the studio, as we always did. With hindsight, that wasn’t a good thing to do.” The Courage Of Others had taken the best part of two years to make, and they found themselves struggling to achieve their aim. Midlake tried recording at the farm in Buffalo, Texas where they’d had success with The Courage Of Others, “but we knew something was missing,” Pulido recalls. The band took a break to play a few concerts, “to try out new songs and keep ourselves out there. One show was Bella Union’s 15th anniversary at the End of the Road Festival, which we didn’t realise would be our last with Tim.”
After some time back in Denton, Smith announced his departure. In the fall-out over the spoils of what had been recorded, the remaining members decided to start afresh, and wrote and recorded Antiphon in six harmonious months – bar ‘Vale’, which had been demoed without Smith during one of the sessions.
With its ravishing, rippling textures symptomatic of Antiphon’s scale, ‘Vale’ showed how far they’d already come. The remaining nine tracks – the album is free-flowing in feel, concise in structure – confirm it’s very much Midlake, but uncannily rebooted, and relaxed.
The band had already validated their sublime instrumental mettle by backing John Grant on his award-winning 2010 solo debut Queen Of Denmark; now they had to step into new roles, collaborate on songwriting and have Pulido take over as frontman. He admits it wasn’t the easiest transition for any of the band but the experience was enormously freeing: “Antiphon is the most honest representation of the band as a whole, as opposed to one person’s vision that we were trying to facilitate.”
For example, ‘The Old And The Young’, a lighter, swinging version of the ‘new’ Midlake, has elements of “bouyancy” that Pulido says were long suppressed. “The chorus is catchy and has a lift, like we were releasing the dove! I love many genres of music - from Abba to Zappa, and I wanted to write in a way that wasn’t putting parameters around what it is we were creating. It was a more honest representation of who we really are.”
“The past is what got you to where you are now, so you shouldn’t be a malcontent about it,” acknowledges Pulido. That’s the gist of ‘The Old And The Young’, one of the lyrics on Antiphon that refers to embracing what is rather than lamenting what was. 'Provider Reprise' is “a farewell, like the sound you might hear when you enter the gates of heaven!” The gentler ‘Aurora Gone’ concerns divorce while ‘This Weight’ concerns the selfishness of man, “turning away from this existence, to do your own thing,” says Pulido. “It could be just as much about me as it is about anyone.”
After the costumed antics of the band’s last two album covers, the colour- saturated globe on Antiphon takes a different tack, and a broader picture outside of Midlake’s internal dynamic. “It conjures imagery of a celebratory fireworks display,” Pulido suggests “but it’s actually a diagram of an exclusive group of connected entities with disproportionate amounts of control over the global economy. It’s a beautiful way to show a darker side of things in the world.”
Antiphon has a similarly paradoxical nature – from stress and upset, something positive and creative has emerged. Midlake is dead, long live Midlake.
Midlake is an American folk rock band from Denton, Texas, formed in 1999. The band consists of Eric Pulido, McKenzie Smith, Eric Nichelson, Jesse Chandler and Joey McClellan.
This is undoubtedly my single favorite album of all time. It feels like such a perfect culmination of all the themes and ideas Fleet Foxes has been working with since 2008. It answers many of the questions found on both Helplessness Blues and Crack-Up, and represents an incredible maturation and growth in Robin Pecknold's perspective. Their other albums are certainly masterpieces, but this, in my opinion, is their magnum opus. I doubt it will be recognized as such in its time. isaiah_stuart
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